As of August 2018 I have relocated to New Zealand for personal reasons, for an undetermined period of time.
I am set up and ready work here, and I have email and skype (roger.mason73). My NZ telephone number is +64 021 2043 617.
If you are in the UK, I suggest a slightly different way of working due to my being 11 hours ahead: we talk and brief in the mornings (your time), then I sleep, and then when you arrive for work the next day, you’ll have a pile of storyboards in your email.
Cover art for The Prototypes, featuring a super heroine tasering herself. The brief was supplied by the band. These are my original photoshop colours, but it was eventually re-coloured by my colleague Robert Smith as the client asked me to make it darker. I like the pop art buzz of this version though.
Scenes from my current project. Painting a mural up eight flights of stairs in the studio building where I work in Dalston, Hackney. The mural is designed to show how the Bootstrap Company (who runs the building) engages with the local community, helps start-ups to thrive and provides below-market-rate studio spaces. It’s a great place to work, and I have been here going on seven years now. April 2016
On 5th March 2016 I gave a lecture at the Watersprite Cambridge Film Festival, called The Art of Storyboarding. Pictures here show the 75-minute talk, which included practical demonstrations, slides and the participants creating their own simple, yet functional storyboards. The talk was well received and I have been invited back next year, which I am really looking forward to.
The festival was great fun, extremely well run and had an awards ceremony in the fabulous Fitzwilliam Museum on the Saturday night. The picture below shows me and host Lenny Henry presenting the award for best production design for the film ‘It could have happened, it had to happen.’ Posted May 2016.
My brother George, who is a paramedic in Sheffield, commissioned me to draw a cartoon about some of the stressful encounters met by the ambulance service. It was specifically intended to show how noisy and chaotic some scenes can be, and in all this, the medic is trying to think clearly and responsibly.
I am really pleased with this. It feels like it hits the mark, showing lots of noise and confusion, yet in a legible manner. Pen and ink on A4 marker paper.
Page detail from book three which I really like. It’s funny how some drawings start by being unimportant to me – just something to get out of the way to get the story to progress – but after some work and some patient inking, they end up being my favourite.
This scene where Harry and Venus show up and surprise the group is a drawing I am very proud of. It’s great how Venus’s skirt creates a dynamic composition.
Diana’s face in the top two frames are beginning to show the fruits of my studying US comic artist J Scott Campbell’s women. The Mice by Roger Mason Posted 17/7/15
Keeping me busy this week, a mural at a primary school in south east London, depicting children at the school reading books. Painted onto the wall of the school library in acrylic paint, it will hopefully be finished this week and then I can photograph it properly and post the completed scene up here.
The Mice book three is on the drawing board and here is a page from the final chapter. The two main human protagonists are learning how to fly on of the aliens’ giant flying forklift trucks. It seems they might just be about to have a mid-air collision…
These storyboards were commissioned by Unit 9 to describe a promotion which took place in Manchester on 10th September. A football juggler dressed as a samurai, and being chased by ninjas, juggled a football through the streets and ended up at Old Trafford, cavorting about on the pitch. They have to be some of my favourite recent drawings, and some of my coolest storyboards to date.
Thanks to the people at Big Smoke Media, the above image, featuring Diana and Mulligatawny running away from the aliens’ ‘cat’, will be available on free postcards in bars, restaurants and various institutions across London and the South East.
Click on the link at the left to download a free chapter of The Mice graphic novel.
The Mice: The Factory Menace is now available to buy from Scar Comics online shop, here . £7.99, 80 pages, black and white, it is a complete story and also the first book in a proposed series of four, with the second book almost completed.
It tells the story of the giant alien factory Order Nine, and the humans who live there, who are treated like vermin and trying to fight off the aliens who, it must be said, don’t much care and hate their jobs. Humorous, action-packed, romantic and deadly, here are some reviews:
“Small press comics at its absolute best… 9 out of 10.” Comics International
“This is a gem and worth seeking out.” bugpowder.com
“Roger Mason’s fully-formed future scenario pits tiny terrorists in the Land of the Giants against occupying alien forces. A rollicking SF epic brought to life with splendidly fluid chiaroscuro brushwork by one of the UK’s most exciting young talents.” Gary Spencer Millidge, creator of Strangehaven
A Preview can be read on my website , click on The Mice link, and here’s a couple of pages…
Monday morning and just taken my brother’s crazy fun dog Barney for a walk in the hills around Sheffield. I went to Thought Bubble(Balloon?) in Leeds yesterday and sat on the Scar Comics table, selling copies of The Mice. A good day, if a bit quiet on the punters with cash front.
Treating myself to a spend at the Top Shelf table, I enjoyed catching up with Chris Staros and buying the big Alec collection by Eddie Campbell as well as Superfuckers by Kochalka. I caught up with Sean Azzopardi and read his diary comics, beginning with 100 Days of Winter which I enjoyed very much.