Category Archives: Blog

I’m in New Zealand

As of August 2018 I have relocated to New Zealand for personal reasons, for an undetermined period of time.

I am set up and ready work here, and I have email and skype (roger.mason73). My NZ telephone number is +64 021 2043 617.

If you are in the UK, I suggest a slightly different way of working due to my being 11 hours ahead: we talk and brief in the mornings (your time), then I sleep, and then when you arrive for work the next day, you’ll have a pile of storyboards in your email.


Mural in Dalston, Bootstrap Company


Scenes from my current project. Painting a mural up eight flights of stairs in the studio building where I work in Dalston, Hackney. The mural is designed to show how the Bootstrap Company (who runs the building) engages with the local community, helps start-ups to thrive and provides below-market-rate studio spaces. It’s a great place to work, and I have been here going on seven years now. April 2016

Watersprite: Cambridge International Film Festival 2016

On 5th March 2016 I gave a lecture at the Watersprite Cambridge Film Festival, called The Art of Storyboarding. Pictures here show the 75-minute talk, which included practical demonstrations, slides and the participants creating their own simple, yet functional storyboards. The talk was well received and I have been invited back next year, which I am really looking forward to.

The festival was great fun, extremely well run and had an awards ceremony in the fabulous Fitzwilliam Museum on the Saturday night. The picture below shows me and host Lenny Henry presenting the award for best production design for the film ‘It could have happened, it had to happen.’ Posted May 2016.

Presenting the award for best production design. Watersprite Film Festival, Cambridge 2016.
Presenting the award for best production design. Watersprite Film Festival, Cambridge 2016.


Illustration as a teaching aid

Cartoon drawing as a teaching aid by Roger Mason
Cartoon for my brother, a paramedic working in Sheffield

My brother George, who is a paramedic in Sheffield, commissioned me to draw a cartoon about some of the stressful encounters met by the ambulance service. It was specifically intended to show how noisy and chaotic some scenes can be, and in all this, the medic is trying to think clearly and responsibly.

I am really pleased with this. It feels like it hits the mark, showing lots of noise and confusion, yet in a legible manner. Pen and ink on A4 marker paper.

The Mice by Roger Mason – new page detail

Page detail from book three which I really like. It’s funny how some drawings start by being unimportant to me – just something to get out of the way to get the story to progress – but after some work and some patient inking, they end up being my favourite.

This scene where Harry and Venus show up and surprise the group is a drawing I am very proud of. It’s great how Venus’s skirt creates a dynamic composition.

Diana’s face in the top two frames are beginning to show the fruits of my studying US comic artist J Scott Campbell’s women. The Mice by Roger Mason Posted 17/7/15

Page detail from Roger Mason's The Mice comic.
Page detail from Roger Mason’s The Mice comic.

World Book Day comic strip mural

Keeping me busy this week, a mural at a primary school in south east London, depicting children at the school reading books. Painted onto the wall of the school library in acrylic paint, it will hopefully be finished this week and then I can photograph it properly and post the completed scene up here.

World Book Day comic strip mural, on the wall at Pilgrims' Way Primary School. Art by Roger Mason
World Book Day comic strip mural, on the wall at Pilgrims’ Way Primary School. Art by Roger Mason

The Mice comic

The Mice book three is on the drawing board and here is a page from the final chapter. The two main human protagonists are learning how to fly on of the aliens’ giant flying forklift trucks. It seems they might just be about to have a mid-air collision…

Work in progress: a page from the third Mice graphic novel by Roger Mason
Work in progress: a page from the third Mice graphic novel by Roger Mason

Manchester United Samurai promotion

Watch the film here:


Commissioned by Unit 9, a football juggler dressed as a samurai promotes Nissin Foods. Art by Roger Mason 2014
Commissioned by Unit 9, a football juggler dressed as a samurai promotes Nissin Foods. Art by Roger Mason 2014
unit 9_manchester united samurai_ roger mason 2
Commissioned by Unit 9, a football juggler dressed as a samurai promotes Nissin Foods. Art by Roger Mason 2014 …


These storyboards were commissioned by Unit 9 to describe a promotion which took place in Manchester on 10th September. A football juggler dressed as a samurai, and being chased by ninjas, juggled a football through the streets and ended up at Old Trafford, cavorting about on the pitch. They have to be some of my favourite recent drawings, and some of my coolest storyboards to date.


New postcards for The Mice graphic novel

Promotional image for The Mice graphic novel, artwork by Roger Mason
Promotional image for The Mice graphic novel, artwork by Roger Mason


Thanks to the people at Big Smoke Media, the above image, featuring Diana and Mulligatawny running away from the aliens’ ‘cat’, will be available on free postcards in bars, restaurants and various institutions across London and the South East.

Click on the link at the left to download a free chapter of The Mice graphic novel.



New business card image

Smiling woman' storyboard frame, art by Roger Mason
‘Smiling woman’ storyboard frame, art by Roger Mason

It’s been, so far, a summer of working part-time which has been very nice. I did start re-designing my business card,amidst all that inactivity, a task which I thought would take me about two hours.

Three weeks later, I have settled on this image for the front. It’s from a storyboard about hair products and was originally in pencil only. I have coloured it in Photoshop and became quite anal about her skin tones. The last time I got a business card printed one of my students commented that the guy’s skin was green. What with my uncalibrated monitor, RGB and CMYK and whatever hoops they put it through at the printer’s, it’s a tricky business guarding the right colours from start to finish.

God knows how the final printed card will turn out. I’ll be sending it to Aldgate Press, for your information. Very eco-friendly printer.

Oh, and I hear you say: “Business cards?! In this day and age?” Definitely.

Illustration for Jasper Fforde’s The Eye of Zoltar

Illustration by Roger Mason for Eye of Zoltar book
Frontispiece illustration for the new Jasper Fforde book, The Eye of Zoltar

Here is the complete illustration which is in Jasper Fforde’s new novel, the third in the Last Dragonslayer series, called the Eye of Zoltar. It features one of the characters, who happens to be an australopithecine, hanging onto the underside of a giant, flying beast.

It’s the frontispiece, so appears before the text. Fforde also asked me to draw three images for a promotional postcard set which I am hoping to get my hands on any day now. I am a big fan of Jasper’s books, the Thursday Next series in particular, and have enjoyed very much the Last Dragonslayer stories. Any fans of Harry Potter and His Dark Materials are well advised to check them out.

An article about The Mice and Scar Comics

The Mice graphic novels available from

The Mice began life when I was spending Summers working in a canning factory in Lincolnshire, while studying illustration at college in 1998. At the time a dead mouse had been found in a can of baked beans so I started thinking about an environment where humans were in a similar position, i.e. vermin in a factory. After this, the job became much more interesting as I imagined tiny people running around, hopping in and out of drains and machinery. Giant aliens provided the context and I wrote and drew an unpublished joke story called The Mice in which two humans venture into a hostile alien factory to ‘bury’ one of their dead in a can; this would then be sealed up, labelled and shipped into space, kind of a Viking boat funeral with a twist.

I realised that the material was much more personal than I had originally thought, with experience of a particular relationship (and working in a factory) feeding easily into the narrative. The aliens became more nuanced until nowadays The Mice tells the humans’ life-and-death story alongside the aliens’ one of intrigue, backstabbing and hustling.

The Mice: Culture Shock
The Black Chargehand deals with an infestation in the office. © Roger Mason 2013
Catfood, a 40-page mini-comic, was produced and sold on the small press circuit, followed by a longer story which expanded the narrative to include a startling discovery in the wild fields surrounding the factory: a partially buried Lincoln Cathedral. A prequel was required so I re-drew the first story (a human still winds up in a can of soup although for different reasons, plus he goes in alive.) This story and Catfood make up the first graphic novel, called The Factory Menace and published by Scar Comics in 2011.
The current release – Culture Shock – sees the humans discover a dangerous way of striking at the aliens that gives them a chance of winning, while the aliens find out that humans taste great and a lucrative – if highly controversial – new industry could be theirs for the taking.
Roger Mason, 2013

Shane Chebsey of Scar Comics:
The first time I saw Roger’s work I knew that one day I wanted to publish it. I’ve always been a huge fan of his drawing style and his storytelling. I was so proud when The Mice: The Factory Menace arrived from the printers and it was great launching Culture Shock this year to some really positive critical acclaim.
It’s a real pleasure working with a creator like Roger: he’s extremely professional and his work just stands out from the crowd. He’s one of those rare talents that can create stunning black and white comics – a skill and discipline that is slowly disappearing from comics today, but something we treasure at Scar Comics.

For those of you unfamiliar with publishers Scar Comics, what planet have you been on? Scar is a British independent publisher who specialise in unique graphic novels which stand out from the crowd. Award-winning titles like Madam Samurai and Falling Sky have introduced writers and artists like Ben Dickson and Dave Hitchcock to a wider readership and The Mice is a great fit into the Scar Comics line up.

Sketch of Mulligatawny and Diana, The Mice’s lead human protagonists. © Roger Mason 2013

New MICE graphic novel available from Scar Comics

My new graphic novel, THE MICE: CULTURE SHOCK (£8.99, 100 pages) is now available to buy from Scar Comics online shop

“Genius” –   full review
“9 out of 10” – Comics International
“4 out of 5… Particularly recommended for anybody having a rotten time at work” –   full review
“A real treat” – Red Eye

The book was launched last week at the London Super Comic Con at the Excel Centre in east London, where Scar Comics had a table.

Here I am signing copies and producing sketches for fans. We sold out of all the copies we had brought with us and it met with very favourable reviews.

I am very happy with it. The story focuses on a group of humans leaving the factory and travelling into the wild fields which surround it. What they discover out there propels the story forward and creates tension between them. The aliens meanwhile are up to dirty tricks back at the factory. It’s told in three chapters and can be read if you have not read the first book, The Factory Menace.

Roger Mason on the Scar Comics table with a copy of The Mice: Culture Shock. London Super Comic Con 2013

The back cover blurb:

In Culture Shock THE MICE leave the factory and journey into the endless fields around it. Something is out there; something which will change the course of human and alien history for ever. Meanwhile, the sinister factory manager is performing grisly experiments…
Culture Shock is the latest Mice graphic novel from acclaimed bande dessinée artist and illustrator Roger Mason. The Mice in The Factory Menace is also available from Scar Comics.

Teaching drawing skills at Samsung Design Europe

Comic book drawing workshop artwork by Roger Mason

In October 2012 I was hired by Malin Andersson, creative UX manager of Samsung Design Europe in my capacity as a specialist art teacher to improve the drawing skills of her team of designers.

The workshops ran for three full days and were designed to enable the participants to do a lot of drawing – as well as have fun, doodle (with permission!), design characters, draw short stories and learn professional techniques, such as creative figure drawing, cartooning tips and perspective. Material requirements were simple, consisting largely of black pens and paper.

Comic book drawing workshop artwork by participants at Samsung Design Europe
The creative team at Samsung regularly use drawing as a part of their presentations, frequently sketching ideas out for themselves and for clients. The workshops emphasise productivity and functionality; a drawing may not be pretty, but if, for example, it clearly shows a hand holding a smartphone then it succeeds.

Comic book drawing workshop artwork by participants at Samsung Design Europe

Comic book drawing workshop artwork by Roger Mason

Comic book drawing workshop artwork by participants at Samsung Design Europe
The participants do a lot of drawing and occasionally I use practical demonstrations, one to one tutorials and slides to enable learning. The most important thing when drawing is confidence and I work hard in my workshops to boost this for participants and demonstrate that everyone can draw and attain a result.
At the end of the three days the participants invited their colleagues in for an impromptu, Friday afternoon art exhibition which was much enjoyed by all, with many expressing their wish that they had taken part.

“The workshops were expertly facilitated and my team and I really enjoyed the experience. The drawing skills have helped us with our creative process, and Roger’s teaching skills and professionalism are excellent.”

Malin Andersson 

creative UX designer, Samsung Design Europe.

Comic book drawing workshop artwork by participants at Samsung Design Europe

Next Christmas commercial

Storyboards commissioned by Framestore for the recently-aired Next Homeware television commercials. HB pencil on cartridge paper.
Storyboards for Next Home Christmas commercial, commissioned by Framestore. Art by Roger Mason

Storyboards for Next Home Christmas commercial, commissioned by Framestore. Art by Roger Mason

Storyboards for Next Home Christmas commercial, commissioned by Framestore. Art by Roger Mason

The Mice reviewed in SFX

Here’s a review of my graphic novel The Mice: The Factory Menace, available to buy from Scar Comics online shop, taken from the SFX site and by Alasdair Stuart:

The opening scene of The Mice is one of the most perfectly-designed sucker punches I’ve seen in years. You spend several panels being carefully introduced to the cast of characters, in a setting that’s intensely familiar, only to have what you think you know snatched away from you. That willingness to upend a reader’s expectations lies at the heart of what Roger Mason is trying to do with the book and he succeeds admirably.
At an undetermined point in the future, aliens invade and we lose. We never see the war, we never see the aftermath but we’re shown why we lost so convincingly almost straight away; the aliens are massive, and we’re the size of rodents to them, hence the title. The world has been taken over by giants and we’re reduced to living in the cracks between their floorboards, fighting a war where the enemy views us as little more than a nuisance. It’s a simple, wonderfully pulpy concept and Mason puts the cherry on top with the battleground the characters meet on; a single production line at a soup factory, where the cans are so huge multiple humans can ride in them.

This is the genius of the book, setting the desperate battle for survival around something so mundane because it drives home just how little we matter. Forget the power plants and control centres of traditional SF, Mason’s human freedom fighters’ big idea is to poison cans of soup. This isn’t just a world we lost, this is a world where we don’t even matter anymore. Mason drives this home in the first chapter with a chilling sequence which features two of the leads desperately trying to rescue a third from a huge vat of soup as the aliens go on about their business, content that they’ve eradicated the pests. Life and death and bean soup combine, and the punchline to the scene is both horrific and features some of the best art in the book.

The second chapter presented here neatly shifts perspective a little and introduces us to the aliens. As the events of the first story lead to the factory potentially losing a major contract, we follow hard pressed line chief Cota and his handyman, Goon, as they frantically try and keep the line running whilst setting an alien cat on the humans and keeping the clients from Solar Market happy. Cota is every inch the harried manager, whilst Goon is an amiable, loyal and slightly over enthusiastic sidekick. They’re a perfect comedy duo, and their frantic attempts to keep both the cat and the humans out of sight of their clients are genuinely funny and weirdly endearing. The aliens may have taken the planet, but they’ve inherited our old problems and seem worse at handling them than we are. It’s strangely reassuring…

…Unlike the “cat”, a two-legged ball of black-furred murder that the human characters spend the second chapter frantically trying to deal with. The cat is a real physical threat and the casual way human characters are killed by it only drives this home. It’s also neatly used to, again, drive home the futility of scale that the humans face. It’s something to be avoided rather than faced, and the moment a character confronts it is rife with tension and palpable physical threat.

Mason’s black and white art does an excellent job of not only portraying the book’s complex and unusual scale, but also the fragility of its main characters. He’s got a nice eye for splash pages and pacing too, with the closing, brutal, punchline of chapter one and the cat’s second attack in chapter two both standouts. His design work’s nicely handled too, especially the cat. If there’s a weakness it’s that sometimes the alien characters look too similar but even that, arguably, ties into the book’s parody of mundane factory life, albeit on a Godzilla-sized scale.

This is smart, incredibly bleak science fiction of the sort that seems to have a natural home in the UK thanks to 2000AD and its ilk. Big on ideas and action, but small in stature, The Mice is a highly unusual post-apocalyptic story and one that 2000AD fans in particular shouldn’t be without. Just don’t try the soup…
Alasdair Stuart

BLOG The Mice: The Factory Menace REVIEW | SFX

It’s a great review; thanks a lot Alasdair!