A short article about naming the characters in The Mice

Diana attempts to rescue Rowling from the soup vat in The Mice: The Factory Menace

The two lead humans are called Mulligatawny and Diana. Subsequent characters I have tried to name after obvious contemporary celebrities, although with mixed success (problems with readers making the link.) Diana is named after Princess Diana, Harry after Harry Potter (or Prince Harry). I have considered a ‘Becks’—David Beckham, or the beer?—and one of the children is named after Paris Hilton. The most overt reference to date is to Barack Obama as readers of Culture Shock will know. Unfortunately, if someone asks me what ‘Mulligatawny’ has to do with any of this I cannot say, as the name came to me while I was staring at a spreadsheet of soup cans heading to Tesco. He was previously called Fob… The woman called ‘Scooter’ also bucks the trend, but I could not resist it, and ‘Bailey’ is another name for a woman which I like and may use one day.

Cota extracts a badly-burned Barack out of an alien human-carrier. From The Mice: Culture Shock

As for the aliens, I am extremely proud of the simplicity of ‘Cota’ and I like also the ‘Black Chargehand’  although the latter has not been printed in the book so readers are unaware and probably wondering what his name is. A nod to Judge Dredd is that we never see his eyes, although this was making him too expressionless and so they are creeping in.

Roger Mason 2013

The Mice graphic novels available from Scarcomics.com/shop

An article about The Mice and Scar Comics

The Mice graphic novels available from Scarcomics.com/shop

The Mice began life when I was spending Summers working in a canning factory in Lincolnshire, while studying illustration at college in 1998. At the time a dead mouse had been found in a can of baked beans so I started thinking about an environment where humans were in a similar position, i.e. vermin in a factory. After this, the job became much more interesting as I imagined tiny people running around, hopping in and out of drains and machinery. Giant aliens provided the context and I wrote and drew an unpublished joke story called The Mice in which two humans venture into a hostile alien factory to ‘bury’ one of their dead in a can; this would then be sealed up, labelled and shipped into space, kind of a Viking boat funeral with a twist.

I realised that the material was much more personal than I had originally thought, with experience of a particular relationship (and working in a factory) feeding easily into the narrative. The aliens became more nuanced until nowadays The Mice tells the humans’ life-and-death story alongside the aliens’ one of intrigue, backstabbing and hustling.

The Mice: Culture Shock
The Black Chargehand deals with an infestation in the office. © Roger Mason 2013
Catfood, a 40-page mini-comic, was produced and sold on the small press circuit, followed by a longer story which expanded the narrative to include a startling discovery in the wild fields surrounding the factory: a partially buried Lincoln Cathedral. A prequel was required so I re-drew the first story (a human still winds up in a can of soup although for different reasons, plus he goes in alive.) This story and Catfood make up the first graphic novel, called The Factory Menace and published by Scar Comics in 2011.
The current release – Culture Shock – sees the humans discover a dangerous way of striking at the aliens that gives them a chance of winning, while the aliens find out that humans taste great and a lucrative – if highly controversial – new industry could be theirs for the taking.
Roger Mason, 2013

Shane Chebsey of Scar Comics:
The first time I saw Roger’s work I knew that one day I wanted to publish it. I’ve always been a huge fan of his drawing style and his storytelling. I was so proud when The Mice: The Factory Menace arrived from the printers and it was great launching Culture Shock this year to some really positive critical acclaim.
It’s a real pleasure working with a creator like Roger: he’s extremely professional and his work just stands out from the crowd. He’s one of those rare talents that can create stunning black and white comics – a skill and discipline that is slowly disappearing from comics today, but something we treasure at Scar Comics.

For those of you unfamiliar with publishers Scar Comics, what planet have you been on? Scar is a British independent publisher who specialise in unique graphic novels which stand out from the crowd. Award-winning titles like Madam Samurai and Falling Sky have introduced writers and artists like Ben Dickson and Dave Hitchcock to a wider readership and The Mice is a great fit into the Scar Comics line up.

Sketch of Mulligatawny and Diana, The Mice’s lead human protagonists. © Roger Mason 2013

New MICE graphic novel available from Scar Comics

My new graphic novel, THE MICE: CULTURE SHOCK (£8.99, 100 pages) is now available to buy from Scar Comics online shop

“Genius” – SFX.co.uk   full review
“9 out of 10” – Comics International
“4 out of 5… Particularly recommended for anybody having a rotten time at work” – talkcomix.com   full review
“A real treat” – Red Eye

The book was launched last week at the London Super Comic Con at the Excel Centre in east London, where Scar Comics had a table.

Here I am signing copies and producing sketches for fans. We sold out of all the copies we had brought with us and it met with very favourable reviews.

I am very happy with it. The story focuses on a group of humans leaving the factory and travelling into the wild fields which surround it. What they discover out there propels the story forward and creates tension between them. The aliens meanwhile are up to dirty tricks back at the factory. It’s told in three chapters and can be read if you have not read the first book, The Factory Menace.

Roger Mason on the Scar Comics table with a copy of The Mice: Culture Shock. London Super Comic Con 2013

The back cover blurb:

In Culture Shock THE MICE leave the factory and journey into the endless fields around it. Something is out there; something which will change the course of human and alien history for ever. Meanwhile, the sinister factory manager is performing grisly experiments…
Culture Shock is the latest Mice graphic novel from acclaimed bande dessinée artist and illustrator Roger Mason. The Mice in The Factory Menace is also available from Scar Comics.

Teaching drawing skills at Samsung Design Europe

Comic book drawing workshop artwork by Roger Mason

In October 2012 I was hired by Malin Andersson, creative UX manager of Samsung Design Europe in my capacity as a specialist art teacher to improve the drawing skills of her team of designers.

The workshops ran for three full days and were designed to enable the participants to do a lot of drawing – as well as have fun, doodle (with permission!), design characters, draw short stories and learn professional techniques, such as creative figure drawing, cartooning tips and perspective. Material requirements were simple, consisting largely of black pens and paper.

Comic book drawing workshop artwork by participants at Samsung Design Europe
The creative team at Samsung regularly use drawing as a part of their presentations, frequently sketching ideas out for themselves and for clients. The workshops emphasise productivity and functionality; a drawing may not be pretty, but if, for example, it clearly shows a hand holding a smartphone then it succeeds.

Comic book drawing workshop artwork by participants at Samsung Design Europe

Comic book drawing workshop artwork by Roger Mason

Comic book drawing workshop artwork by participants at Samsung Design Europe
The participants do a lot of drawing and occasionally I use practical demonstrations, one to one tutorials and slides to enable learning. The most important thing when drawing is confidence and I work hard in my workshops to boost this for participants and demonstrate that everyone can draw and attain a result.
At the end of the three days the participants invited their colleagues in for an impromptu, Friday afternoon art exhibition which was much enjoyed by all, with many expressing their wish that they had taken part.

“The workshops were expertly facilitated and my team and I really enjoyed the experience. The drawing skills have helped us with our creative process, and Roger’s teaching skills and professionalism are excellent.”

Malin Andersson 

creative UX designer, Samsung Design Europe.

Comic book drawing workshop artwork by participants at Samsung Design Europe

Next Christmas commercial

Storyboards commissioned by Framestore for the recently-aired Next Homeware television commercials. HB pencil on cartridge paper.
Storyboards for Next Home Christmas commercial, commissioned by Framestore. Art by Roger Mason

Storyboards for Next Home Christmas commercial, commissioned by Framestore. Art by Roger Mason

Storyboards for Next Home Christmas commercial, commissioned by Framestore. Art by Roger Mason

The Mice reviewed in SFX

Here’s a review of my graphic novel The Mice: The Factory Menace, available to buy from Scar Comics online shop, taken from the SFX site and by Alasdair Stuart:

The opening scene of The Mice is one of the most perfectly-designed sucker punches I’ve seen in years. You spend several panels being carefully introduced to the cast of characters, in a setting that’s intensely familiar, only to have what you think you know snatched away from you. That willingness to upend a reader’s expectations lies at the heart of what Roger Mason is trying to do with the book and he succeeds admirably.
At an undetermined point in the future, aliens invade and we lose. We never see the war, we never see the aftermath but we’re shown why we lost so convincingly almost straight away; the aliens are massive, and we’re the size of rodents to them, hence the title. The world has been taken over by giants and we’re reduced to living in the cracks between their floorboards, fighting a war where the enemy views us as little more than a nuisance. It’s a simple, wonderfully pulpy concept and Mason puts the cherry on top with the battleground the characters meet on; a single production line at a soup factory, where the cans are so huge multiple humans can ride in them.

This is the genius of the book, setting the desperate battle for survival around something so mundane because it drives home just how little we matter. Forget the power plants and control centres of traditional SF, Mason’s human freedom fighters’ big idea is to poison cans of soup. This isn’t just a world we lost, this is a world where we don’t even matter anymore. Mason drives this home in the first chapter with a chilling sequence which features two of the leads desperately trying to rescue a third from a huge vat of soup as the aliens go on about their business, content that they’ve eradicated the pests. Life and death and bean soup combine, and the punchline to the scene is both horrific and features some of the best art in the book.

The second chapter presented here neatly shifts perspective a little and introduces us to the aliens. As the events of the first story lead to the factory potentially losing a major contract, we follow hard pressed line chief Cota and his handyman, Goon, as they frantically try and keep the line running whilst setting an alien cat on the humans and keeping the clients from Solar Market happy. Cota is every inch the harried manager, whilst Goon is an amiable, loyal and slightly over enthusiastic sidekick. They’re a perfect comedy duo, and their frantic attempts to keep both the cat and the humans out of sight of their clients are genuinely funny and weirdly endearing. The aliens may have taken the planet, but they’ve inherited our old problems and seem worse at handling them than we are. It’s strangely reassuring…

…Unlike the “cat”, a two-legged ball of black-furred murder that the human characters spend the second chapter frantically trying to deal with. The cat is a real physical threat and the casual way human characters are killed by it only drives this home. It’s also neatly used to, again, drive home the futility of scale that the humans face. It’s something to be avoided rather than faced, and the moment a character confronts it is rife with tension and palpable physical threat.

Mason’s black and white art does an excellent job of not only portraying the book’s complex and unusual scale, but also the fragility of its main characters. He’s got a nice eye for splash pages and pacing too, with the closing, brutal, punchline of chapter one and the cat’s second attack in chapter two both standouts. His design work’s nicely handled too, especially the cat. If there’s a weakness it’s that sometimes the alien characters look too similar but even that, arguably, ties into the book’s parody of mundane factory life, albeit on a Godzilla-sized scale.

This is smart, incredibly bleak science fiction of the sort that seems to have a natural home in the UK thanks to 2000AD and its ilk. Big on ideas and action, but small in stature, The Mice is a highly unusual post-apocalyptic story and one that 2000AD fans in particular shouldn’t be without. Just don’t try the soup…
Alasdair Stuart

BLOG The Mice: The Factory Menace REVIEW | SFX

It’s a great review; thanks a lot Alasdair!

The Mechanaut

Page from The Mechanaut comic, by Roger Mason and William Exley

Uploaded to this site are the first ten pages from The Mechanaut, a web comic/graphic novel I have been working on with illustrator William Exley.

Click on the tab at the top of this page to read this preview, which was very well received at Kapow! convention, Islington in April this year.

2000 AD Terror Tale

The following five pages I drew for the Steve Moore -scripted Terror Tale Murdermind which was published in 2000 AD prog 1311 and remains my only paid contribution to the comic to date. It was a tough script to draw but I enjoyed bringing some heavy contrast black and white to the task. I am proud of the first panel but it is dark in tone, to say the least.
Briefly it involves two cops on the trail of a mysterious sequence of murders, which turns out to be due an alien body-hopping worm which deranges people and turns them into psychopaths. It jumps ship after each kill. 
I bumped into then-Tharg Andy Diggle a few years later, he said I did a good job but that it was a tough script to draw. He was not wrong. Apparently my artwork was panned on the forum the week after and that was a bit tough to take. I thought it looks ok and I hope to someday once more grace the  pages of the galaxy’s greatest.
Comic page from 2000 AD Terror Tale, script by Steve Moore, art by Roger Mason

Comic page from 2000 AD Terror Tale, script by Steve Moore, art by Roger Mason

Comic page from 2000 AD Terror Tale, script by Steve Moore, art by Roger Mason
Comic page from 2000 AD Terror Tale, script by Steve Moore, art by Roger Mason

Comic page from 2000 AD Terror Tale, script by Steve Moore, art by Roger Mason

Dredd 3D

Dredd has always been one of my favourite comics, growing up as I did on a steady diet of 2000 AD. Curious readers ought to check out stories like The Apocalypse War, Judge Death, The Graveyard Shift, Destiny’s Angels, Necropolis, America and my pick for the best Dredd story ever, The Starborn Thing. All of these can be found in the Complete Case Files series of re-prints, around books numbering four to eight and beyond.

In my opinion the greatest Dredd writer of all is John Wagner (pen-names TB Grover and John Howard) and any of his stories are worth a look, combining action with tongue-in-cheek scifi and some devastating one-liners from Old Stoney Face himself. I have also noticed a recurrent theme of transvesticism too. The best JD is top British comedy that whacks you – and the hapless citizen – over the head with a daystick while you chuckle.

Here’s a page by Brian Bolland. © Rebellion.

At UKCAC 97 I met John Wagner. I asked him if he was a retailer, to which he replied, slightly indignantly, “I’m John Wagner!”  I was like, “Wow! Have a look at my portfolio!”. This was back in the days when comic conventions, for me, were stepping stones on my path to becoming the next Frank Miller, and woe betide anyone in my way (I never did attain Miller-hood of course, but back in the days at conventions, in my mind, it was just a matter of time).

Preview of The Mice book two

Cota handles some specimens. Panel from The Mice in Culture Shock, graphic novel published by Scar Comics, art by Roger Mason

Work has recommenced on the second MICE graphic novel which will be 90 pages long, working title  Culture Shock. The project had been shelved for a few months but it is now nearly finished, barring a few more pages to be drawn and an edit. Once it is completed, look for it at the Scar Comics online shop.

Back cover blurb:

The Mice leave the factory site and journey into the wild and endless fields around it. Something is out there; something that will change the course of human and alien history forever.

Meanwhile, the factory manager is hiding away in the labs performing grisly experiments. The humans aren’t going to like it, to say nothing of Health & Safety…

Here are some images from it, including a cover image from when part of it was released as a mini-comic.

The Black Chargehand deals with an infestation in the offices. Scene from The Mice in Culture Shock, graphic novel published by Scar Comics. Art by Roger Mason

Unused cover artwork from The Mice’s small press, mini-comic days, featuring Cota, Diana and Mulligatawny. Art by Roger Mason

Kapow comic convention sketches

Mulligatawny and Cota from The Mice, art by Roger Mason

Female Judge from 2000 AD comic. Art by Roger Mason

Kapow comic convention went very well, even though sales on the Scar Comics table were a bit slow, due to the gulf of space in front of the table that allowed nervous punters to bypass the wares on sale and avoid the hawkish glares of the stable’s talent, as it tried to lure in susceptible members of the public.

I did some sketches which are attached here and curious fans of both can check out 2000AD for Rebellion’s Judge Dredd or The Mice graphic novel available to buy either from me or Scarcomics.com.

A highlight was putting a copy of The Mice into the hands of Jonathan Ross, who promised he would read it. I felt a bit bad approaching the guy, imagining that he must get that quite a lot but I was overtaken by networking fever and, once I had spotted the bearded one in his bright yellow jacket, ran back to the table, nicked a copy of the book, whacked a quick dedication in the front and handed it over.

The wrestlers were a nice touch and all in all Kapow was once again a quality show.


I regret the chaotic nature of the previous post, but the fact is I have been ably working away at storyboards for service design agencies and production companies for the last couple of months, but extras like maintaining a blog have gone out of the window somewhat.

Next weekend I will be at Kapow! the comic convention in Angel on the Scar Comics table, and right now I am typing this when I should be doing something else. So sayonara.

Comic art gallery


Several jpegs are supplied of the subject to show what they look like and a suggestion for a theme. I will then produce a pencil sketch for approval and then work it up.

Artwork supplied either printed (canvas or paper) or original, framed if required and delivered to your door. Please telephone for details.