Roger Mason; storyboard artist, illustrator -

London Inferno on Markosia

Coming soon from Markosia is my crime graphic novel with writer LF Bollée. 80 pages black and white, originally published in

The rights have been re-acquired to London Inferno. An 80-page crime graphic novel that I illustrated in 2003, it was written

At my local cinema on Waiheke Island, the poster for Star Wars: The Rise of Skywalker was pinched from the hallway where peopl

The original of this cartoon of Greta Thunberg is drawn in felt tip pen on the back of a Playmobil movie poster, size A1+. At

Recently I gave a talk about drawing service design storyboards. It was hosted by Erick Mohr and the Service Design Network, w

Full colour superhero storyboards for a Motorpoint TV commercial, commissioned by Equinox Films, Manchester, UK. Director Phil

A page detail from The Mice book three, which is almost finished (as I have been saying for a while now). Seriously! Diana mee

Wraparound charity illustration for London-based ScotsCare. An evolving brief to illustrate the cover of their Annual Review p

It’s the time of year when I’m often asked to create business Christmas cartoons. Sometimes they are sent digitall

I’ve been going through the bitmap scans and filling in the blacks, meaning that pages drawn over a year ago are finally

This Donald Trump cartoon was inspired when I had a lack of work. and I was drawn to him the way cartoonists around the world

Pen and ink on A3, and then coloured digitally in Photoshop. This was for Ellaone’s campaign for birth control pills, an

Record cover art for UK drum and bass act The Prototypes, featuring a superhero tasering herself. The brief was supplied by th

Scenes from my current project. Painting a mural up eight flights of stairs in the studio building where I work in Dals

On 5th March 2016 I gave a lecture at the Watersprite Cambridge Film Festival, called The Art of Storyboarding. Pictures here

My brother George, who is a paramedic in Sheffield, commissioned me to draw a cartoon about some of the stressful encounters m

Page detail from book three which I really like. It’s funny how some drawings start by being unimportant to me – just